| Wertungsprogramm Landeswettbewerb
Saar 2019 |
|
|
|
|
|
Stand 13.3.2019 |
|
|
|
|
|
|
|
|
| Violine,
Ag 2, Schillerschule, Saal 4 |
|
|
|
| 09:00 |
Lucie Dima |
Violine |
Charles Dancla
(1817-1907) |
d |
2'20 |
|
Karoline Metzger |
Klavier |
Introduction (et) Rondo aus Opus
123 |
|
|
|
|
|
Carlo Tessarini
(1690-1766) |
b |
3'40 |
|
|
|
G-Dur Konzert Allegro G-Dur |
|
|
|
|
|
|
|
|
| 09:10 |
Jules Pręcheur |
Violine |
Kurt Weill
(1900-1950) |
e |
5'00 |
|
Michael Mushchinin |
Klavier (4) |
Youkali d-Moll |
|
|
|
|
|
(Tango Habanera) |
|
|
|
|
|
Antonio Vivaldi
(1678-1741) |
b |
3'30 |
|
|
|
Concerto a-Moll op. 3 No. 6 |
|
|
|
|
|
Allegro |
|
|
|
|
|
|
|
|
| 09:20 |
Madita Löcher |
Violine |
Wolfgang Amadeus
Mozart (1756-1791) |
c |
2'30 |
|
Lothar Fuhr |
Klavier |
Wiener Sonatine Nr.1 |
|
|
|
|
|
Allegro brillante |
|
|
|
|
|
Carl Bohm
(1844-1920) |
d |
3'50 |
|
|
|
Sarabande g-Moll |
|
|
|
|
|
Antonio Vivaldi
(1678-1741) |
b |
3'00 |
|
|
|
Konzert G-Dur |
|
|
|
|
|
Allegro |
|
|
|
|
|
|
|
|
| 09:30 |
Rahel Naemi Missal |
Violine |
Maria Theresia von
Paradis (1759-1824) |
c |
3'10 |
|
Thomas Betz |
Klavier |
Sizilienne Es-Dur |
|
|
|
|
|
Friedrich Seitz
(1849-1918) |
d |
6'45 |
|
|
|
Concerto D-Dur op. 15 |
|
|
|
|
|
Allegretto |
|
|
|
|
|
|
|
|
| 09:40 |
Amélie Kalla |
Violine |
Henry Farmer
(1819-1891) |
d |
5'05 |
|
Natalia Wolsdorfer |
Klavier |
Home sweet home |
|
|
|
|
|
1. Introduktion (Andante
maestoso) |
|
|
|
|
|
2. Thema (Andante espressivo) |
|
|
|
|
|
3. Variation |
|
|
|
|
|
4. Finale |
|
|
|
|
|
Pál Járdányi
(1920-1966) |
e |
3'05 |
|
|
|
Ungarischer Tanz |
|
|
|
|
|
Allegro vigoroso |
|
|
| 09:50 |
Juryberatung |
|
|
|
|
|
|
|
|
|
|
| Violine,
Ag 3, Schillerschule, Saal 4 |
|
|
|
| 10:15 |
Lillian Marilley |
Violine |
Giuseppe Tartini
(1692-1770) |
b |
7'00 |
|
Chi-Hsien Kuan |
Klavier |
Le Trille du Diable |
|
|
|
|
|
Larghetto - Allegro energico |
|
|
|
|
|
Henryk Wieniawski
(1835-1880) |
d |
6'30 |
|
|
|
Scherzo-Tarantella g-Moll op. 16 |
|
|
|
|
|
|
|
|
| 10:30 |
Theresa Sophie Hermes |
Violine |
Johann Sebastian
Bach (1685-1750) |
b |
2'35 |
|
Tanja Hermes |
Klavier |
Violinkonzert E-Dur op. BWV 1042 |
|
|
|
|
|
Allegro assai |
|
|
|
|
|
Wolfgang Amadeus
Mozart (1756-1791) |
c |
8'25 |
|
|
|
Konzert Nr.3 G-Dur op. KV 216 |
|
|
|
|
|
Allegro |
|
|
|
|
|
Pablo de Sarasate
(1844-1908) |
d |
4'00 |
|
|
|
Spanische Tänze d-Moll op. 23,1 |
|
|
|
|
|
Playera |
|
|
|
|
|
|
|
|
| 10:45 |
Tabitha Hahn |
Violine |
Johann Sebastian
Bach (1685-1750) |
b |
3'50 |
|
Peter Hahn |
Klavier |
Violinkonzert a-Moll op. BWV
1041 |
|
|
|
|
|
Allegro |
|
|
|
|
|
Wolfgang Amadeus
Mozart (1756-1791) |
c |
5'30 |
|
|
|
Violinsonate Nr.23 D-Dur op. KV
306 |
|
|
|
|
|
Andante cantabile |
|
|
|
|
|
Dmitri Kabalewski
(1904-1987) |
e |
5'35 |
|
|
|
Violinkonzert C-Dur op. 48 |
|
|
|
|
|
Allegro molto e con brio |
|
|
|
|
|
|
|
|
| 11:00 |
Marie Joselle Hendel |
Violine |
Edouard Lalo
(1823-1892) |
d |
8'00 |
|
Thomas Layes |
Klavier |
Symphonie espagnole d-Moll op.
21 |
|
|
|
|
|
1. Satz : Allegro non troppo |
|
|
|
|
|
Eugene Ysaye
(1858-1931) |
|
3'10 |
|
|
|
Solosonate Nr. 2 G-Dur op. 27
Nr.2 |
|
|
|
|
|
2. Satz: Malinconia
(Poco Lento) |
|
|
|
|
|
Nino Rota (1911-1979) |
e |
3'40 |
|
|
|
Improvviso d-Moll |
|
|
|
|
|
|
|
|
| 11:15 |
Valerie Philippsen |
Violine |
Charles A. de
Bériot (1802-1870) |
d |
5'00 |
|
Christina Vetter |
Klavier |
Allegro maestoso (1) |
|
|
|
|
|
Johann Sebastion
Bach (1685-1750) |
b |
6'00 |
|
|
|
Konzert a-moll, 2. Satz C-Dur
BWV 1041 |
|
|
|
|
|
Andante |
|
|
|
|
|
Béla Bartok
(1881-1945) |
e |
3'00 |
|
|
|
Rumänische Tänze, Nr. 4 und 6 |
|
|
|
|
|
Molto moderato, Allegro |
|
|
|
|
|
|
|
|
| 11:30 |
Isabella Giagounidis |
Violine |
Dimitri
Schostakowitsch (1906-1975) |
e |
1'20 |
|
Marina Kavtaradze |
Klavier |
Prelude Nr. 10 op. 34 |
|
|
|
|
|
Johann Sebastian
Bach (1685-1750) |
b |
3'30 |
|
|
|
Sonate Nr.3 C-Dur BWV 1005 |
|
|
|
|
|
Allegro assai |
|
|
|
|
|
Pablo de Sarasate
(1844-1908) |
d |
8'30 |
|
|
|
Zigeunerweisen op. 20 |
|
|
|
|
|
|
|
|
| 11:45 |
Juryberatung |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| Violine,
Ag 4, HfM, Konzertsaal |
|
|
|
| 12:25 |
Anika Bartmus |
Violine |
Georg Friedrich Händel
(1685-1759) |
b |
8'30 |
|
Vinzenz Haab |
Klavier |
Sonata da camera A-Dur op. 14 |
|
|
|
|
|
Adagio / Allegro / Largo /
Allegro |
|
|
|
|
|
Jean Baptiste
Accolay (1845-1905) |
d |
8'30 |
|
|
|
Concerto a-Moll op. 1 |
|
|
|
|
|
Allegro moderato |
|
|
|
|
|
Béla Bartók
(1881-1945) |
e |
1'30 |
|
|
|
Rumänische Volkstänze D-Dur |
|
|
|
|
|
Allegro / Allegro |
|
|
|
|
|
|
|
|
| 12:45 |
Sarah Litak |
Violine |
Wolfgang Amadeus
Mozart (1756-1791) |
c |
5'00 |
|
Sanem Litak |
Klavier |
Rondo C-Dur KV 373 |
|
|
|
|
|
Allegretto grazioso |
|
|
|
|
|
Anton Webern
(1883-1945) |
e |
4'00 |
|
|
|
4 Stücke für Violine und
Klavier op. 7 |
|
|
|
|
|
Sehr langsam / Rasch / Sehr
langsam / |
|
|
|
|
|
Bewegt |
|
|
|
|
|
Felix Mendelssohn
Bartholdy (1809-1847) |
d |
11'00 |
|
|
|
Konzert für Violine und
Orchester |
|
|
|
|
|
e-Moll
op. 64 |
|
|
|
|
|
1.: Allegro molto appassionato |
|
|
|
|
|
|
|
|
| Violine,
Ag 5, HfM, Konzertsaal |
|
|
|
| 13:05 |
Anna Prayer |
Violine |
Johann Sebastian
Bach (1685-1750) |
b |
3'40 |
|
Chi-Hsien Kuan |
Klavier |
Solosonate g-Moll BWV 1001 |
|
|
|
|
|
Adagio |
|
|
|
|
|
Johannes Brahms
(1833-1897) |
d |
9'10 |
|
|
|
Sonate G-Dur op. 78 |
|
|
|
|
|
Vivace ma non troppo |
|
|
|
|
|
Witold Lutoslawski
(1913-1994) |
e |
5'20 |
|
|
|
Subito |
|
|
|
|
|
|
|
|
| 13:25 |
Thomas M. Schillo |
Violine |
Georg Philipp
Telemann (1681-1767) |
b |
1'30 |
|
Natalia Wolsdorfer |
Klavier |
Fantasie für Violine solo
f-Moll |
|
|
|
|
|
Paul Ben-Haim
(1897-1984) |
f |
4'10 |
|
|
|
Sonata für Violine solo in G |
|
|
|
|
|
Lento e sotto voce (2) |
|
|
|
|
|
Felix Mendelssohn
Bartholdy (1809-1847) |
d |
13'10 |
|
|
|
Violinkonzert e-Moll op. 64 |
|
|
|
|
|
1. Satz: Allegro molto
appassionato |
|
|
|
|
|
|
|
|
| 13:45 |
Juryberatung |
|
|
|
|
| 14:05 |
Teilnehmerberatung
(Violine) |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| Klavierkammermusik,
Ag 2 Schillerschule Saal 9 |
|
|
|
| 09:00 |
Elias Kalla |
Klavier |
Frank Bridge
(1879-1941) |
d |
4'10 |
|
Amélie Kalla |
Violine |
Aus "miniatures"
Band 3: |
|
|
|
Aurelia Kalla |
Violoncello |
Nr. 8 Hornpipe g-Moll op. H.
87-89 |
|
|
|
|
|
Allegro moderato |
|
|
|
|
|
Wolfgang Amadeus
Mozart (1756-1791) |
c |
2'55 |
|
|
|
Divertimento für Oboe, Fagott
und Klavier |
|
|
|
|
|
bearbeitet für Vl., Vc. und Kl.
B-Dur KV 240 |
|
|
|
|
|
Andante grazioso |
|
|
|
|
|
|
|
|
| Kontrabass,
Ag 2,Schillerschule Saal 9 |
|
|
|
| 09:10 |
Hannah Schröder |
Kontrabass |
Anonymus (18. Jh.) |
b |
0'45 |
|
Dieter Prünn |
Klavier |
Hornpipe A-Dur |
|
|
|
|
|
Allegro |
|
|
|
|
|
Tony Osborne (1947) |
e |
1'00 |
|
|
|
Bass Bridges of Paris d-Moll |
|
|
|
|
|
Bright, graceful waltz |
|
|
|
|
|
Tony Osborne (1947) |
e |
1'00 |
|
|
|
Jellied Eels Foo-Yong G-Dur |
|
|
|
|
|
Crisply |
|
|
|
|
|
Tony Osborne (1947) |
e |
1'25 |
|
|
|
Bobby Shaftoe goes to New
Orleans C-Dur |
|
|
|
|
|
With a swing |
|
|
|
|
|
Camille Saint-
Saens (1835-1921) |
d |
1'30 |
|
|
|
Der Elefant F-Dur |
|
|
|
|
|
Johann Matthias
Sperger (1750-1812) |
c |
2'30 |
|
|
|
Sonatine |
|
|
|
|
|
Rondo |
|
|
|
|
|
|
|
|
| Violoncello,
Ag 2, Schillerschule Saal 9 |
|
|
|
| 09:20 |
Louisa Marie Hermes |
Violoncello |
Louis de Caix
d'Hervelois (1680-1760) |
b |
2'05 |
|
Tanja Hermes |
Klavier |
Deuxičme Suite D-Dur |
|
|
|
|
|
Musette |
|
|
|
|
|
Julius Klengel
(1859-1933) |
d |
7'00 |
|
|
|
Concertino Nr. 2 G-Dur op. 41 |
|
|
|
|
|
Allegro con moto |
|
|
|
|
|
|
|
|
| 09:30 |
Aurel Philippsen |
Violoncello |
Benedetto Marcello
(1686-1739) |
b |
5'00 |
|
Christina Vetter |
Klavier |
Sonate Nr. 6 G-Dur |
|
|
|
|
|
Allegro (2), Andante (1),
Allegro (4) |
|
|
|
|
|
David Popper
(1843-1913) |
d |
4'30 |
|
|
|
Gnomentanz g-Moll op. 50 Nr. 2 - |
|
|
|
|
|
Allegro ma non troppo |
|
|
|
|
|
|
|
|
| 09:40 |
Juryberatung |
|
|
|
|
|
|
|
|
|
|
| Kontrabass,
Ag 3,Schillerschule Saal 9 |
|
|
|
| 10:00 |
Timo König |
Kontrabass |
Wilhelm De Fesch
(1695-1758) |
b |
5'30 |
|
Dieter Prünn |
Klavier |
Sonata F-Dur |
|
|
|
|
|
Preludio, Allemanda |
|
|
|
|
|
Christian Gouinguené
(1941) |
d |
4'00 |
|
|
|
Adagio |
|
|
|
|
|
Paul Breuer
(1918-1993) |
f |
2'20 |
|
|
|
Sonatine |
|
|
|
|
|
Allegro ma non troppo (1) |
|
|
|
|
|
|
|
|
| Violoncello,
Ag 3, Schillerschule Saal 9 |
|
|
|
| 10:15 |
Jonathan Matthias Ladewig |
Violoncello |
Johann Sebastian Bach
(1685-1750) |
b |
3'10 |
|
Anna Isabelle Ladewig |
Klavier |
Suite Nr. 2 d-moll für
Violoncello solo BWV 1008 |
|
|
|
|
|
Prélude |
|
|
|
|
|
Krzystztof Penderecki (1933) |
f |
4'20 |
|
|
|
Per Slava für Violoncello solo |
|
|
|
|
|
Carl Juljewitsch Davidoff
(1838-1889) |
d |
4'20 |
|
|
|
Am Springbrunnen |
|
|
|
|
|
für Violoncello und Klavier
D-Dur op. 20.2 |
|
|
|
|
|
|
|
|
| 10:30 |
Anna Sonja Rizzi |
Violoncello |
Georg Goltermann (1824-1898) |
d |
4'00 |
|
Yona Sophia Jutzi |
Klavier |
Konzert Nr. 4 G-Dur op. 65 |
|
|
|
|
|
Allegro |
|
|
|
|
|
Antonio Vivaldi (1678-1741) |
b |
4'40 |
|
|
|
Sonate Nr. 6 B-Dur RV 46 |
|
|
|
|
|
1. Largo; 4. Allegro |
|
|
|
|
|
Dmitri Schostakowitsch
(1906-1975) |
e |
3'30 |
|
|
|
Sonate a-Moll op. 40 |
|
|
|
|
|
2. Allegro |
|
|
|
|
|
|
|
|
| Kontrabass,
Ag 4,Schillerschule Saal 9 |
|
|
|
| 10:45 |
Mara Reiter |
Kontrabass |
Domenico Dragonetti
(1763-1846) |
c |
9'10 |
|
Hendrik Wiedemann |
Klavier |
Andante und Rondo D-Dur |
|
|
|
|
|
Giovanni Bottesini
(1821-1889) |
|
|
|
|
|
Melody Nr.4 "Auld Robin
Gray" (aus Variations on a Scottish Air) E-Dur |
b |
4'30 |
|
|
|
Andante |
|
|
|
|
|
Luciano Berio (1925) |
f |
2'15 |
|
|
|
Psy: forte barocco |
|
|
|
|
|
|
|
|
| 11:05 |
Juryberatung |
|
|
|
|
| 11:30 |
Teilnehmerberatung
(Vc, Kb, KlKa 2) |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| Gesang
(Pop), Ag 7, HfM Studio 1 |
|
|
|
| 10:00 |
Nadine Gohr |
Gesang |
Andreas Bourani (1983) |
|
4'05 |
|
Hannah Neumann |
Klavier |
Eisberg |
|
|
|
|
|
Michel Sardou
(1947) |
|
3'55 |
|
|
|
Je vais t'aimer |
|
|
|
|
|
Alexandra Burke
(1988) |
|
3'00 |
|
|
|
Hallelujah |
|
|
|
|
|
Gnarls Barkley
(1978) |
|
3'00 |
|
|
|
Crazy (Improvisation) |
|
|
|
|
|
Meghan Trainor
(1993) |
|
3'05 |
|
|
|
Dear future husband |
|
|
|
|
|
|
|
|
| Gesang
(Pop), Ag 5, HfM Studio 1 |
|
|
|
| 10:20 |
Aileen Hofmann |
Gesang |
Aileen Hofmann |
|
4'00 |
|
Stephan Sautter |
Klavier (6) |
Calculate |
|
|
|
|
|
Eddie Cooley
(1932-2002) |
|
3'00 |
|
|
|
Fever |
|
|
|
|
|
Aileen Hofmann |
|
3'30 |
|
|
|
Faltering Dance |
|
|
|
|
|
Mac Davies (1942) |
|
3'00 |
|
|
|
In the Ghetto |
|
|
|
|
|
Aileen Hofmann |
|
2'30 |
|
|
|
Song Of O'Carolan |
|
|
|
|
|
|
|
|
| Gesang
(Pop), Ag 5, HfM Studio 1 |
|
|
|
| 10:40 |
Josefine Laub |
Gesang |
Burt Bacharach
(1928) |
|
2'30 |
|
Elena Sommer |
Klavier |
I say a little prayer (Aretha
Franklin) |
|
|
|
|
|
Alicia Keys (*1981) |
|
4'20 |
|
|
|
If I ain't got you |
|
|
|
|
|
Josefine Laub
(2001) |
|
4'45 |
|
|
|
Domani l`amore vincera |
|
|
|
|
|
Janis Joplin
(1943-1970) |
|
1'40 |
|
|
|
Mercedes Benz |
|
|
|
|
|
Anthony Newley
(1931-1999) |
|
3'00 |
|
|
|
Feeling Good |
|
|
|
|
|
|
|
|
| Gesang
(Pop), Ag 3, HfM Studio 1 |
|
|
|
| 11:00 |
Anastasia Muallem |
Gesang |
Bruno Mars (1985) |
|
3'00 |
|
Paul Kieselmayer |
Gitarre (3) |
Count On Me C-Dur |
|
|
|
|
|
Edward Christopher
Sheeran (1991) |
|
4'00 |
|
|
|
The A Team D-Dur |
|
|
|
|
|
Andrej Eschpai
(1925-2015) |
|
3'00 |
|
|
|
A Sneg Idjet (Es schneit) e-Moll |
|
|
|
|
|
|
|
|
| 11:05 |
Juryberatung |
|
|
|
|
| 11:35 |
Teilnehmerberatung
(Popgesang) |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4'00 |
|
|
|
|
|
|
|
|
|
|
|
|
| Perkussion
solo, Ag 2, HfM Studio 2 |
|
|
|
| 09:00 |
Henry Ammann |
Schlagzeug |
Mitchell Peters
(1935) |
a |
3'00 |
|
|
|
Motif |
|
|
|
|
|
Eckhard Kopetzki
(1956) |
b |
3'00 |
|
|
|
Flower Power |
|
|
|
|
|
Jacky Bourbasquet
(1956) |
e |
3'20 |
|
|
|
Topo vert |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| Duo:
Klavier und ein Holzblasinstrument, Ag 5, HfM
Konzertsaal |
|
|
| 09:20 |
Tobias Neubert |
Querflöte |
Johann Sebastian
Bach (1685-1750) |
b |
3'00 |
|
Bastien Salesse |
Klavier |
Sonata A-Dur 1032 |
|
|
|
|
|
2. Satz, Largo e dolce |
|
|
|
|
|
Johann Sebastian
Bach (1685-1750) |
b |
5'00 |
|
|
|
Sonata A-Dur 1032 |
|
|
|
|
|
3. Satz, Allegro |
|
|
|
|
|
Friedrich Daniel
Rudolph Kuhlau (1786-1832) |
d |
10'00 |
|
|
|
Grande Sonate Concertante a-Moll
op. 85 |
|
|
|
|
|
1. Satz, Allegro con passione |
|
|
|
|
|
|
|
|
| 09:40 |
Anika Viktoria Blatt |
Querflöte |
Ludwig van
Beethoven (1770-1827) |
c |
10'00 |
|
Emelyne Schilz |
Klavier |
Sonate B-Dur |
|
|
|
|
|
Polonaise |
|
|
|
|
|
Largo |
|
|
|
|
|
Wilhelm Popp
(1828-1903) |
d |
4'25 |
|
|
|
Russisches Zigeunerlied op.
462,2 |
|
|
|
|
|
|
|
|
| 10:00 |
Juryberatung |
|
|
|
|
|
|
|
|
|
|
| Duo:
Klavier und ein Blechblasinstrument, Ag 4, HfM
Konzertsaal |
|
|
| 10:20 |
Simeon Seitz |
Trompete |
Alexander
Arutiunian (1920-2012) |
e |
7'00 |
|
Esther Seitz |
Klavier |
Elegy F-Dur |
|
|
|
|
|
Andante sostenuto |
|
|
|
|
|
Guillaume Balay
(1871 - 1943) |
d |
3'00 |
|
|
|
Prélude et Ballade |
|
|
|
|
|
Prélude |
|
|
|
|
|
Paul Austin Kelly
(1960) |
e |
3'00 |
|
|
|
A Little Jazz Suite C-Dur |
|
|
|
|
|
Takin´It In My Stride |
|
|
|
|
|
|
|
|
| Klavierkammermusik,
Ag 4, HfM Konzertsaal |
|
|
| 10:40 |
Leonard Bachmann |
Klavier |
Franz Doppler
(1821-1883) |
d |
9'10 |
|
Helene Schulz |
Querflöte |
Andante und Rondo op. 25 |
|
|
|
Dayun Kim |
Querflöte |
Ian Clarke (1962) |
e |
4'35 |
|
|
|
Maya |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| Klavierkammermusik,
Ag 6, HfM Konzertsaal |
|
|
| 11:00 |
Sophia Mohr |
Oboe |
Théodore Lalliet
(1837-1892) |
d |
4'30 |
|
Luise Dieckmann |
Fagott |
Terzetto d-Moll op. 22 |
|
|
|
Thimo Härter |
Klavier |
1. Introdutione. Moderato |
|
|
|
|
|
Francis Poulenc
(1899-1963) |
e |
13'00 |
|
|
|
Trio op. 43 |
|
|
|
|
|
1. Lent-Presto, 2. Andante, 3.
Trčs vif |
|
|
|
|
|
|
|
|
| 11:25 |
Juryberatung |
|
|
|
|
| 11:50 |
Teilnehmerberatung
(Duo: Klavier und ein Blasinstrument, Kl-Ka Ag6, Ag 4) |
|
|
|
|
|
|
|
|
|
|
|
|
e |
4'00 |
| Zupf-Ensemble,
Ag 2, HfM Saal 219 |
|
|
| 09:30 |
Elisa Leinenbach |
Mandoline |
Johann Sebastian
Bach (1685-1750) |
b |
3'30 |
|
Lucie Kissel |
Mandoline |
Anna Magdalena zu dritt |
|
|
|
Josephine Rupp |
Gitarre |
Marsch |
|
|
|
|
|
Menuett |
|
|
|
|
|
Herbert Dietze
(1938) |
e |
4'30 |
|
|
|
Skizze Ballade / Episode |
|
|
|
|
|
Alison Stephens |
e |
2'00 |
|
|
|
65 Easy Tunes |
|
|
|
|
|
Fairy Dance |
|
|
|
|
|
|
|
|
| 09:40 |
Lina Luxenburger |
Mandoline |
Ralph
Paulsen-Bahnsen (1954) |
e |
4'00 |
|
Kristin Marie Kirst |
Mandoline |
Schmidt's Farn |
|
|
|
|
|
Bedtime |
|
|
|
|
|
Vincent
Beer-Demander (1982) |
f |
1'55 |
|
|
|
La patamoler de Camille et Lana |
|
|
|
|
|
Johann Baptist Vanhal
(1739-1813) |
c |
2'40 |
|
|
|
Duett op. 56,4 |
|
|
|
|
|
Tempo di Minuetto |
|
|
|
|
|
Alternativo |
|
|
|
|
|
|
|
|
| Zupf-Ensemble,
Ag 3, HfM Saal 219 |
|
|
| 09:50 |
Leonie Rupp |
Gitarre |
Tielman Susato
(1500-1563) |
a |
5'00 |
|
Sabrina Mayer |
Gitarre |
Tänze der Renaissance |
|
|
|
Vanessa Bohnenberger |
Gitarre |
Allemande / Nachtanz / Ronde /
Branle |
|
|
|
Vivien Leinenbach |
Gitarre |
|
|
|
|
|
|
Ralph
Paulsen-Bahnsen (1954) |
e |
2'45 |
|
|
|
Ballo piccolo |
|
|
|
|
|
John William Duarte
(1919) |
e |
3'30 |
|
|
|
Going Dutch /Pastorale / Marsch |
|
|
|
|
|
Dieter Kreidler
(1943) |
e |
2'45 |
|
|
|
Tango für vier Gitarren |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 10:00 |
Sarah Kiel |
Mandoline |
Christian Friedrich
Witt (1660-1716) |
b |
5'00 |
|
Elisa Leinenbach |
Mandoline |
Suite |
|
|
|
Sarah Lena Kinsinger |
Gitarre |
Entrée / Sarabande / Menuett /
Bourrée |
|
|
|
|
|
Ettore Carosio
(1866-1914) |
d |
5'30 |
|
|
|
Musica delle belle epoque |
|
|
|
|
|
Petite Berceuse / Ali Dorate
Mazurka |
|
|
|
|
|
Herbert Dietze
(1938) |
e |
2'20 |
|
|
|
Stolpersteine |
|
|
|
|
|
Capriccio |
|
|
| 10:15 |
Juryberatung |
|
|
|
|
|
|
|
|
|
|
| Zupf-Ensemble,
Ag 4, HfM Saal 219 |
|
|
| 10:35 |
Emilie Becker |
Mandoline |
Prospero Cauciello
(1740-1790) |
b |
6'00 |
|
Amelie Jenzer |
Mandoline |
Trio G-Dur |
|
|
|
Nils Kurzyca |
Gitarre |
Allegro / Largo / Allegro |
|
|
|
|
|
Rene Eespere (1953) |
f |
4'45 |
|
|
|
Tres in unum |
|
|
|
|
|
Yasuo Kuwahara
(1946) |
e |
6'15 |
|
|
|
Thema und Variationen über
"Weaving girl" |
|
|
|
|
|
|
|
|
| 10:55 |
Johanna Köpp |
Gitarre |
Pharrell Williams
(1973) |
e |
3'00 |
|
Adriana Musiol |
Gitarre |
Happy |
|
|
|
Nilsu Algül |
Gitarre |
Gaspar Sanz
(1640-1710) |
b |
4'00 |
|
Stefan Pedljo |
Gitarre |
Fuge und Passacaglia |
|
|
|
|
|
Ralph
Paulsen-Bahnsen (1954) |
e |
3'00 |
|
|
|
Rush Hour |
|
|
|
|
|
Olga Amelkina-Vera
(*1976) |
e |
5'00 |
|
|
|
Nebulae |
|
|
|
|
|
Henry Purcell
(1659-1695) |
b |
3'00 |
|
|
|
Chaconne |
|
|
|
|
|
|
|
|
| Gitarrenduo,
Ag 3, HfM Saal 219 |
|
|
|
| 11:15 |
Giuglia Harig |
Gitarre |
Georg Friedrich Händel
(1685-1759) |
b |
4'00 |
|
Jan Harig |
Gitarre |
Ouverture h-Moll |
|
|
|
|
|
Jean-Michel Coquery (1956) |
e |
4'00 |
|
|
|
Spain's Bossa |
|
|
|
|
|
Robert de Visée (1650-1725) |
b |
2'00 |
|
|
|
Suite Nr. 9 |
|
|
|
|
|
Bourrée |
|
|
|
|
|
Mauro Giuliani
(1781-1829) |
c |
2'00 |
|
|
|
Spanische Volksweise |
|
|
| Gitarrenduo,
Ag 5, HfM Saal 219 |
|
|
|
| 11:35 |
Carlotta Zürn |
Gitarre |
Enrique Granados
(1867-1916) |
d |
5'00 |
|
Madeleine Maria |
Gitarre |
12 Danzas Espańolas op. 37 |
|
|
|
|
|
2. Oriental |
|
|
|
|
|
Fernando Sor
(1778-1839) |
c |
3'00 |
|
|
|
Souvenir de Russie op. 63 |
|
|
|
|
|
4. Final. Allegretto |
|
|
|
|
|
Jorge Cardoso
(1949) |
e |
4'00 |
|
|
|
Milonga |
|
|
|
|
|
Johann Sebastian
Bach (1685-1750) |
b |
5'30 |
|
|
|
Französische Suite Nr. 2 BWV
813 |
|
|
|
|
|
2. Courante, 3. Sarabande |
|
|
|
|
|
|
|
|
| 11:50 |
Juryberatung |
|
|
|
|
| 12:25 |
Teilnehmerberatung |
|
|
|
|
|
|
|
|
|
|
| Alte
Musik, Ag 3, HfM Saal 218 |
|
|
|
| 10:00 |
Ronja Leiser |
Blockflöte |
Andrea Falconiero
(1585-1656) |
b |
6'00 |
|
Julia Henke |
Blockflöte |
Battaglia de Barabaso yerno de
Satanas |
|
|
|
Mathilde Kemmerer |
Harfe |
Lorenzo Allegri
(1573-1648) |
a |
5'10 |
|
Lenke Nagy |
Cembalo |
Quinto Ballo detto le Ninfe di
Senna |
|
|
|
|
|
Ballo - Canario - Gavotta -
Corrente |
|
|
|
|
|
Marco Ucellini
(1603-1680) |
a |
6'00 |
|
|
|
Aria sopra la Bergamasca |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| Alte
Musik, Ag 3, HfM Saal 218 |
|
|
|
| 10:25 |
Helena Dolk |
Blockflöte |
Anonym Anonym (13..-13..) |
a |
4'15 |
|
Katharina Wiesenfeldt |
Blockflöte |
Isabella |
|
|
|
Sophie Zesewitz |
Blockflöte |
Johann Mattheson (1681-1764) |
b |
5'00 |
|
|
|
Sonate VI g-Moll |
|
|
|
|
|
Andante (1) / Allegro
(2) / |
|
|
|
|
|
Adagio(3) / Gavotte
(4) |
|
|
|
|
|
Heinrich Isaac (1450-1517) |
a |
5'20 |
|
|
|
Der Hund |
|
|
|
|
|
Carl Heinrich Graun (1703-1759) |
b |
1'20 |
|
|
|
Trio |
|
|
|
|
|
Johann Joachim Quantz
(1697-1773) |
b |
1'20 |
|
|
|
Sonate für 3 Flöten |
|
|
|
|
|
Francesco Landini |
b |
2'00 |
|
|
|
Chosi Pensoso-Caccia |
|
|
|
|
|
Anonym |
a |
2'00 |
|
|
|
Saltarello |
|
|
|
|
|
|
|
|
| 10:45 |
Juryberatung |
|
|
|
|
| 11:15 |
Teilnehmerberatung |
|
|
|
|
|
|
|
|
|
|